Psycho Ward 2007 Review
Psycho Ward 2007
Directed by: Patrick McBrearty
Starring:Jacqueline Betts, Bobby Horvath, Liam Card
Review by Luisito Joaquín González
Not many fans seem to pick up on the fact that there were more slasher movies released during 1998-2008 than at any other period of the genre’s timeline. Even the eighties heyday didn’t churn out as many psycho killers, which is an interesting piece of information. It’s likely because it is so much easier nowadays to get a film made and a distribution deal sorted and anyone with a camera and a few keen friends can put together their own effort, whereas in older times, it was all about begging for funding.
On top of that, we have also seen entries emerging from more and more countries over the past fifteen years. These include Russia, India, Pakistan, South Korea and Thailand. There were so many newer titles finding their way direct to DVD at one point that even the IMDB is still catching up with listing half of them. I keep looking out for Rock Party Massacre and Demon Day Killer and to this day they don’t seem to be on there.
There’s a massive difference between the low budgeted modern entries and the ones that came out back in the days of mullets and spandex. Take for example movies like Spiker, Death on Demand and Heart Stopper. They can at times be fun to watch, but they lack the charm and wit of the likes of Final Exam, He Knows You’re Alone or even Sweet 16. Psycho Ward to look at offers nothing notably different from any of the three recent titles I mentioned above, but it does have one thing that allows it to somewhat stand apart. This was not (yet) another direct-to-disc shelf-liner from Brain Damage or Film 2000, but was actually released by a major studio.
What on earth Lionsgate, the most commercially successful independent film and television distribution company in North America and the third most profitable movie production suite, were thinking when they picked this up is anyone’s guess? Maybe they paid peanuts for it? Maybe they did it for charity? Maybe a video was sent to the board of directors showing one of them in a ‘compromising position’ with a hooker and a bag of coke? Anyway I was keen to see if it was worthy of such a ‘blue chip’ release…
A group of students head off to a dilapidated prison with a psychiatrist to uncover the truth behind rumours of government mind experiments that had been taking place before it was shut down. It seems that there were some military tests on the inmates that had to be kept classified. What they uncover is a vicious masked killer who seems hell bent on slashing them to pieces.
Are prisons creepy? I guess they could be. You see, there probably are only a few places more claustrophobic than a concrete cell and you have to give the director 10/10 for effort on his choice of location. In the opening scene, McBrearty hits the right switches by giving us a nice pair of boobies, some fun gore and a glimpse of a masked menace. It’s a good start, but as you all know so well dear readers, from then on its more likely that things will traverse in a downward trajectory
The characters that carry us through are well developed and unlike the majority of slashers, Ward doesn’t make this necessary task something that would send an amphetamine addict into a coma. It gets going fairly quickly, which is most definitely a good thing. There’s some genuinely impressive structure in some of the camera-work and I really liked one lingering POV shot as the unseen presence watches his prey wander through the door to their impending doom from an upstairs window. When the trouble starts, the group decide to stick together and work in tandem to escape and there are hints of paranoia directed at the girl that they met mysteriously outside of the prison. Could she be involved? Is she the killer’s daughter? It’s not as predictable as you might think.
About halfway through, two unknowns pull up in a car outside and the maniac makes very quick work of them. They are never mentioned or referenced again and it’s pretty obvious that this scene was added during post-production as perhaps someone mentioned that there hadn’t been any killings for a while and they were in need of a little more action. We do come across moments when the pace does stagnate a bit, but all in all I think that things cruise along at an acceptable gallop and sustaining momentum is not the flaw that ruins Psycho Ward.
What we have here is another case of not making the most of what they had. I mentioned on my plot write-up about evil doctor’s and military mind experiments, right? Sounds cool, yes? You’re expecting some kind of super-human survivor like Robocop with a sympathetic motive that doesn’t want to kill but is programmed that way because he was used as a guinea pig? Keep in mind that this was made long BEFORE Shutter Island and could have been really unique with an approach like that.
What we get in the end it’s absolutely nothing. Nada, zero, nic, nix. Just a normal (overweight) nut in a mask with no imaginative back story outside of the fact that he likes to kill. So why build us up like that only not to follow through? Your guess is as good as mine and it is really disappointing. Also, why couldn’t the director have worked harder with the actors? Could he not have told Sandy Lai that if she screwed up her face like a bulldog chewing a wasp, every… EVERY, time that she was on screen the audience would want to punch her? And if she still didn’t listen, couldn’t she have been the first to get splattered? Talk about torture, it’s unbelievable.
The script is also incredibly dumb. INCREDIBLY so. There’s a part where two of the characters get locked in a prison cell together and I repeat, LOCKED-in-a-prison-cell. I laughed out loud when one of them looked at the other and said, “Ok right, so we should just wait here!” An early victim has a chance to flee the hulking maniac and so she runs, no, not out of the open front entrance to freedom, but instead back inside and into a concrete cell and then she closes the door behind her without locking it (of course). Good move! I also liked it when the ‘heroic’ psychiatrist discovers a cell block that is littered with the bodies of his chums. He finds corpse A and like a real gentleman takes of his jacket to place it over the victim’s face. Then he comes across corpse B and removes his shirt to do the same. Secretly inside, I wondered if he really would strip right down to his polka dot Y-fronts if he came across the rest? Unfortunately for us however, he didn’t get that far.
Psycho Ward at last check has a 2.2 rating on the IMDB. 2.2! To put that in perspective, even Camp Blood has 3.4. In fairness, I didn’t think it was 2.2 worth of bad and I’m glad that I watched it. There’s a touch of suspense in the final five minutes and I did like the downbeat ending. I just think that because it was released by a major brand, I had the expectation that it would fair better. I wonder what the producer from Lionsgate that picked this up thought he could see here? I mean the killings have the whole ‘torture porn’ thing going on, perhaps he imagined that it was the new SAW? Oh gosh, my head is spinning. People have lost jobs for a lot less. In fact it plays a lot like another of that studio’s trashy throwaways, See No Evil. I was going to say that maybe Psycho Ward ripped that one off, but I have heard on the grapevine that this was left in a vault for a while before it was finally launched onto the public, so I guess we cannot be sure. Thinking about this is actually making my head hurt. I see Psycho Ward when I close my eyes… THERE’S NO ESCAPE!!!! HEEEEEEEEEEEEEEEEEEEEEEEELLLLLLPPPPPPPPPPPPPPPPPPPP!!!
Anyway dear readers, this one is not particularly memorable, but if you’re in dire need of some junk, then you can give it a whirl. In the meantime, I just filmed myself with a pillow case over my head heavy breathing on my iPhone 4S. I’m on hold to Lionsgate now. If they give me a contract, I’ll buy you all a beer. Peace…
Killer Guise: √√