Blood Shed 2014 Review
Blood Shed 2014
aka American Weapon
Directed by: Cliff Vasco
Starring: Amin Joseph, Maria-Elena Laas, Benjamin Mouton
Review by Luisito Joaquín González
Recently in my review of Rose of Death, I mentioned that leaving a rose beside a fresh corpse had been done before and much better in one of my all-time favourites, Rosemary’s Killer. Well it’s nice to see that the film that I have so much respect for is still having an influence on the genre it assisted in defining, because Blood Shed has also decided to ‘borrow’ an idea from that synopsis.
Shed is the latest that came up with a loon that’s not been able to escape his military background, but its plot takes things to a much more intriguing level.
Six teenagers take a break in some secluded woodland for a few days to get away from it all. Little do they know however that hiding in the woodland is a deranged psychopathic killer…
Whilst I was logging on to Vimeo to watch this pre screener, I took a browse around online to see if I could find any news or information about the picture. On the IMDB, I saw that it already has a laughable 2.7 rating with a couple of not so generous comments posted below. There were also a few external reviews that were equally as critical of Cliff Vasco’s debut feature. Often slashers get a hard time from critics no matter their quality and I wondered if the genre’s reputation had contributed to the initial negativity?
Well yes and no is the answer, because whilst Shed is not going to redefine the way that we look at slashers, it deserves more respect than it’s currently being given. It all kicks off at what I guess is a marine training camp. We see two actors giving fairly credible impressions of Private Pyle and Gny. Sgt. Hartman from Full Metal Jacket. The scene includes cuts to real soldiers being drilled at a military base and it’s very easy to see that this is (ancient Vietnam) stock footage, which adds a chunk of inadvertent humour to the opening. I liked the idea of an antagonist that had been warped by the pressure of an over zealous drill sergeant and was excited about what would come next.
We then get to meet our group of cannon fodder and l did note that their dinnertime conversation was unlike the norm. Screenwriter Vasco is most certainly a fan of conspiracy theories and his characters discuss subjects such as the CIA’s power and that war is the organising principle for any society. It was enough to make Oliver Stone send a Facebook request and continued the tone for our lone assassin on the grassy knoll, sorry, in the woodland wilderness. We are made aware of his presence by constant POVs that show him preparing to strike and we don’t wait long until he does.
The kill scenes in Shed may not be gory, but they are incredibly gruesome and they are spaced well enough to so that we are never left waiting around for action. There are a couple of effective jump scares that keep your heart racing and Vasco does well to make the chase sequences fast flowing and tense. We work out pretty quickly who is set to be our final girl and she gets twenty-odd minutes alone to confront the killer. Unfortunately, it’s with him that lies the biggest of the feature’s problems. When our antognist is first introduced, he looks incredibly creepy in army fatigues and a Nixon (?) mask. The headpiece is lost almost immediately though and then we are left with little more than an average middle-aged guy in camouflage. I recently saw The Demon from 1979, and the bogeyman there was clearly visible on-screen on only the odd occasion. This wasn’t important though, because his size and demeanor made him incredibly intimidating. Blood Shed has a big hole in the middle of its story, which is about the size of a threatening assailant.
As I alluded to earlier, the murders are consistent, which left me wondering as to why the film failed to maintain my attention. It’s hard to put a finger on the exact reasoning, because on reflection a lot of things are done with more input than usual. For example, each player gets time to build a relationship with the viewer and they have strongly defined, albeit stereotypical, characteristics. It’s just that they aren’t likeable enough for us to care if they survive. Even the final girl lacked charm and charisma. It’s unfair perhaps to criticise the sound mixing of a pre-screener (these issues are usually ironed out before going to print), but I must admit that I nearly blew my speakers every time that the music came on because I had the volume at 95% to hear the dialogue.
Blood Shed is an interesting addition to the genre, because it is a generic slasher film in so many ways, but in others it snaps branches of the template. The final scene for example is overplayed and poorly delivered, but I have never seen anything like it. The whole film is a mish mash of ideas that work only sporadically, but those sporadic moments are worth checking out. Having a confused military angle and trying to deliver a political message of some kind was unusual and perhaps slightly misplaced.
Whilst Shed is ultimately flawed, I must admit that a 2.7 rating is incredibly harsh…
Killer Guise: √
Final Girl: √