Dead 7 Review
Dead 7 2000
Directed by: Garrett Clancy
Starring: Joe Myles, Matt Emery, Delia Copold
Review by Luisito Joaquín González
I certainly wasn’t expecting much from Dead 7, especially after I learned that it was a Brain Damage films release. They are the production criminals that have unloaded excrement like Maniacal and the rancid Butchered on to unsuspecting movie fans for the past ten years. But with that said though I’m always open minded when it comes to low budget features, because for every twenty Camp 139s there’s always the chance that there could be a Killer Campout lurking amongst them somewhere. Surprisingly enough – Shock horror – Garret Clancy’s slasher opus was a damn site better than it had any right to be, and it has somewhat restored my faith (momentarily) in Brain Damage as a label.
Clancy opens proceedings with a neat collage of woodland wildlife shots that brought eighties schlock classic The Prey to mind. Next we cut to a girl named Venus who is searching for her younger brother in the dense forest. She is very protective of Harley as he is death and mute, which makes it harder for him to communicate and let people know if he needs help. The two had been playing hide and seek until Harley’s attention had been diverted by the mysterious station wagon that had parked just yards in front of him. Hidden behind the camouflage of the dense trees, the young boy watches on as two men climb out of the car and drag a struggling man out of the boot. Franky (Matt Emery) and Brownley (Joe Myles) are viscous drug dealing gangsters that are just about to enforce the consequences of messing with their clique. They drag the victim out to an abandoned mine shaft and decapitate him with an axe before throwing his body down the pit. They hurriedly leave and meet up with their girlfriends Julie (Tanya Dempsey) and Karen (Janet Keijser) and their co-ed friend Drusilla (Gina Zachory).
Franky suddenly realizes that he has left his wallet back at the shaft, and after consulting Brownley, the two decide that they’ll have to go and find it without arousing the suspicion of Drusilla. Despite having very bad taste in friends, ‘Silla doesn’t seem like the type to be a part of any immoral activities and that’s why they try to keep the corpse under wraps. All five of them head back to the scene, and leave Dru to join Harley playing Hide and Seek. Unfortunately whilst searching for a secluded place, Harley comes across the foursome in a criminal situation, which means that they have no option but to silence him…for good! So down the mineshaft he goes with no chance of ever escaping or calling for help. Poor old Drusilla has no idea that her buddies have just killed the youngster and she is dragged away without an explanation.
A couple of months down the line, everyone except Venus seems to have forgotten about Harley’s death. But the gangsters are given an ominous reminder when an unseen intruder throws some incriminating evidence through Franky’s window. This results in a chain of events that leads to the gang being stalked and gruesomely slaughtered one by one by a mysterious stranger. Brownley has already proved that he is a ruthless killer, but it looks like he may have met his match in this mystifying vigilante. But who could be behind this frenzy of retribution?
Even though it sounds like a textbook slasher by the numbers, Dead 7 is actually a fairly engaging and moderately authentic take on the genre. It makes a refreshing change to have a mystery that actually pays off the viewer with a satisfying conclusion, and Clancy has enough screen writing flair to keep you guessing through to the climax. He directs with a confidence that exceeds his lack of experience, and the photography is fluid, crisp and innovative all the way through. Kudos also to the editor who did an extremely credible job when compared with similar no-budget offerings. The decision to shoot all the horror scenes in broad daylight was a wise method of avoiding the frequent problems caused by insufficient illumination and even though the locations were those of the ‘take what you can get’ variety, they suit the desolate atmosphere of the feature. Modern day horror enthusiasts might be disappointed by the lack of any really convincing gore, but the murders are fairly imaginative all the same: Death by copious amounts of cocaine anybody? The acting is fairly shoddy and unconvincing, but it’s by no means the worst that I’ve seen. It’s perhaps ironic that the best performance happens to be the director’s cameo as a bent copper.
It goes without saying that Dead 7 does show it’s amateurism in places. Clancy’s script includes some inadvertently amusing dialogue that certainly wasn’t his initial intention and one or two of the bargain bucket death scenes are hilariously hokey. One guy gets his ears lopped off and spends the rest of his screen time covering them up with his hands so that we don’t see the wounds!. In all fairness though, the killer’s face make-up in the final scene was actually quite good and there’s also a gooey slashed throat among other grisly highlights.
The net result is a decent slasher with a supernatural sheen that manages to keep you watching from start to finish. And that’s a target that many other Brain Damage monstrosities couldn’t even dream of achieving. There’s some raw but worthwhile talent on display within Dead 7 and it warrants at least a viewing.
I say check it out…
Killer Guise: √
Final Girl √