The Pickaxe Murders III: The Final Chapter 2015 Review
The PickAxe Murders Part III: The Final Chapter 2015
Directed by: Jeremy Sumrall
Starring: Nick W. Nicholson, Tiffany Shepis, A. Michael Baldwin
Review by Luis Joaquín González
In the slasher cycle, it’s fair to say that a genre parody has become such a cliche that the next step would be for someone to make a parody of slasher parodies. For a style of film that’s not bustling with unique character traits, we certainly ran out of the need for satire long before filmmakers realised that was the case. Credit is due to director Jeremy Sumrall though, because he has found a novel way of poking his tongue at the genre that he’s obviously a big fan of.
Franchises were as large a part of the early slasher phase as were masked killers and after the consistent success of the Friday the 13th continuations, every new movie was produced with the intention of starting a series. In most cases, the quality of films deteriorated on a chapter by chapter basis and that’s the genius behind the gimmick of The Pickaxe Murders III: The Final Chapter. Sumrall has introduced us to his boogeyman immediately from the third instalment and as we all know so well in horror legacies, part tres is generally the cheesiest. It’s one of those ideas that’s so good that I wished I’d thought of it myself and so I was indeed hopeful that the film would live up to its creative concept.
It opens with a text introduction that describes two previous massacres that were the work of a maniac that may well be the son of Satan and goes by the name of Alex Black. He was presumed dead, but two hikers discover an amulet that possesses a mystic power to bring him back from beyond. Before long, he’s up to his old tricks again and the residents of a small rural town have to fight to survive his Satanic wraith.
Jeremy Sumrall’s début film, Posum Walk remains unreleased and I’m the first to hope that his feature-length follow up doesn’t suffer the same unfortunate fate. The Pickaxe Murders is a bloody ride of no nonsense thrills that packs one hell of an exploitation punch. We don’t wait around long for our first slaughter and the victims carry on dropping at an impressive rate throughout. Alex Black looks tremendous in a guise that brings to mind the greatest backwoods burlap-sack sporting villains and he stalks and slashes with a similar imposing threat to Jason Voorhees’ finest moments. Whilst we can see that the production team were operating on a meagre budget, they hide the lack of funding well enough, and there are some impressive gore effects amongst the murders. A pickaxe is a superb tool for gooey mayhem, but Black also utilises his strength to crush throats, squeeze heads and rip off limbs.
The story takes place in 1988 and there’s a lot of effort put into visually bringing that era to life for us. Our main characters of the story are heading to a hair-metal concert and the director actually takes us inside the venue to witness the band in action. We don’t only get two rock groups that dress and act in a style that’s perfectly retro, but there’s also an audacious massacre sequence that is both hilarious and gruesome in equal measure. We’ve been transported to the eighties many times before of course, but Pickaxe actually ‘feels’ authentic. Sumrall is a director that pays the closest attention to detail and because of that, he has a huge career ahead of him. There are many occasions when we head into a deep dark forest setting and everything is so finely lighted and so purely shot that I had to remind myself that this was only his second full film… and the first to be released (hope hope)
There’s an old saying where I come from in Andalucía that translates to something like, ‘an excellent artist can never overcome the canvass he paints upon’. Pickaxe Murders reminded me of that proverb, because I often felt that director Sumrall was by far the most talented person in this crew and the rest of them somewhat let him down. Watching the dialogue scenes and the actions of his characters made me visualise his standing there and showing them how they should perform. What he couldn’t do though is improve the levels of their dramatic ability and the net result is like Fernando Alonso giving his all in a Robin Reliant instead of the Mcclaren F1 that he deserves. I could mention the lack of an alluring central character or that the plot sometimes seems as if it loses track of where it’s supposed to go next, but all those minor moments where I was feeling critical are made up for by that amazing rock sequence and an overall tone of fun. Sorry to utilise a platitude, but this is most definitely a film made by a fan for fans. It’s a bit rough around the edges, but overall it works and that’s what matters most. Also, whilst I can’t be sure if it was intentional, I am thirty-four-year’s old and the fact that I look younger than these, ahem, ‘Hi-School kids’ was a real ego-booster. Well, one of them was clearly getting silver fox sideburns, so was that part of the humour? During the eighties, the ‘teens’ in these movies were notorious for being closer to the big four-zero than their supposed age…?
The pre-screener I watched to write this review was only 80% finished and Sumrall told me that there’s still a bit that needs to be done before release. Still, I think The Pickaxe Murders III is a slick genre entry with lashings of potential and it will satisfy slasher hounds immensely. From a personal perspective, I thought there was a tad too much nudity (regular readers will know I’m surprisingly prude… unless it comes to undeniably HOT Chicas, which these aren’t)) but that’s part of the exploitation package and I accept that. We can only hope that Pickaxe gets the release and success it deserves, because I’m eagerly awaiting the prequels 🙂
Killer Guise: √√√√
Posted on April 18, 2015, in Slasher and tagged a SLASH above exclusive, boobies, burlap sack, gore, killer in the woods, masked killer, Rare Slasher, slasher parody, unreleased, USA. Bookmark the permalink. Leave a comment.