Girl House 2014 Review
Girl House 2014
Directed by: Trevor Matthews
Starring: Ali Cobrin, Adam DiMarco, Slaine
Review by Luis Joaquín González
I read some marketing gumpf during the production of Girl House that said it was going to be the Halloween of the digital age. Immediately after, my interest in the project waned because whenever a feature tries to capture an audience by claiming that it’s ‘the best thing since Halloween’, it turns out to be nothing of the sort. Later I learned that its synopsis was a reality porn show with girls locked in a house and stalked by a masked menace. This brought visions of Voyeur.Com, Porn Shoot Massacre and Strip Club Slasher streaming to my mind. From then, Girl House had been languishing on my ‘to do list’ for quite some time and only yesterday did I decide, with the enthusiasm of a hungover Monday Morning, to finally give it a go. I’m really glad that I did.
A beautiful student that’s struggling for the funds to get through college, accepts an offer to join the internet sensation, Girl House. It’s a website that offers viewers the chance to watch women 24/7 in a secluded mansion as they reveal all for the numerous cameras. Whilst there’s no shortage of sites that give you one on one access to chicas, this one allows you to get to know them as their lives are rolled out in front of your eyes. When regular visitor ‘Loverboy’ is unintentionally offended by one of the housemates, he decides to extract revenge in the most merciless way possible.
Over the past week, I’ve watched Babysitter Massacre, Blood Slaughter Massacre, Camp Blood and Blood and Sex Nightmare, so I immediately noticed how well funded Girl House looked in comparison. Make no mistake about it, Trevor Matthew’s slick debut is much lusher than the aforementioned entries and it looks ravishing as it bathes in its crystal clear colours. It’s blessed with an outstanding performance from Ali Cobrin as heroine Kylie Atkins. She achieves what Neve Campbell failed to in Scream, by giving us a gorgeous new-age lead that also conveys a sensitive and approachable side. She’s aided by a note-perfect turn from Adam DiMarco as her would be boyfriend and some genuinely likeable personalities amongst the background players.
The real casting achievement though in terms of bringing the screen alive is Slaine as the homicidal maniac. In a portrayal with barely any dialogue, he delivers a villain with initial shades of pathos. This gives him the opportunity to rip said shades to shreds as he grows more and more ruthless throughout the runtime. To do that with so little speech is in itself a mesmerising accomplishment and dressed in a skin mask and wig, he creates a villain that’s terrifyingly memorable. Calling this ‘Halloween for the digital age’ was in fact a half-truth, because Girl House’s boogeyman is not a Michael Myers clone. Unlike Carpenter’s film and its trillion imitators, this screenplay spends more time during its opening unravelling the situations that lead to the maniac’s murderous psyche. So many stalk and slash movies fail to maintain momentum during the character development parts, which makes Girls House stand out because it stays sharp through the elaboration of both its protagonist and also its antagonist.
All this is simply preparation though for a marvellous climax that sees the masked killer torture and murder the housemates in a suspense-filled bloodbath. It’s been a while since I’ve sat through a final sequence that’s so skilfully tense and the director throws literally everything in to the pot to create the right blend of gory and sleek bloodletting. There’s enough time left for a pulsating battle between the masked killer and our final girl, which is unpredictable, brave and extremely fast-paced. My partner and I were watching with our fists clenched in anticipation and thanks to some solid direction, the pace remains breakneck all the way through.
Girls House is a motion picture with something to say about the effect of porn on our lives, our obsession with image and overcoming our insecurities. Examining the concerns of our leading lady as she contemplates entering the world of seedy internet peep-shows displayed an intelligent social commentary with views from both sides. They even include a memorable quote from serial killer Ted Bundy that highlights the film’s ethical standpoint. This is all done subtly enough so as not to overindulge and it adds up to an intelligent and glossy scary movie.
I recently said that Blood Slaughter Massacre was the best recent slasher I’ve seen, but a week later, it has lost that title to this thoroughly enjoyable extravaganza. Even if they are cut from a different budgetary cloth, it’s a compliment that both can be proud of. If you haven’t already tracked this down, do so at the next opportunity. It is, quite frankly, a brilliant stalk and slasher
Killer Guise: √√√√