President’s Day 2010 Review
President’s Day 2010
Directed by: Chris LaMartina
Starring: Bennie Mack McCoy IV, Lizzy Denning, Nicolette le Faye
Review by Luis Joaquín González
With Graduation Day, Memorial Day, Birthday, Christmas, New Year’s, Easter and Valentine‘s pretty much slashed beyond slashable recognition, you must take your hat off to this production team for giving us an authentic theme for their genre entry. We don’t have a ‘President’s Day’ in the UK, so I had to check online to see if it was actually a calendar event. When I discovered that it’s a federal holiday in the States, I was astounded that this was the first stalk and slasher that had based its synopsis around that date.
The film comes from Chris LaMartina, who had previously directed Ameri-Kill; an extremely rare DTV effort that includes a killer in an audacious mask from 1999. When I bought Death-O-Lantern from Warlock Video, I tried getting a copy of Ameri-Kill too, but they had sold out of discs, so I’ve spoken directly with Chris and he’s promised to send me a copy. This particular addition is highly regarded amongst fans of the category, and when I recently asked the members of the a SLASH above Facebook Page if they could recommend any films that I should review, President’s Day was the one that most a SLASH abovers wanted. So without further to do…
A school is going through an extremely competitive period because they are currently holding an election for the role of ‘head of the student body’. Class joker, Barry, decides to run for president in order to impress new girl, Joanne, who has recently moved to the area. The task becomes a lot more dangerous, when the hopeful candidates begin getting slaughtered by a lunatic dressed as Abe Lincoln. Barry and Joanne team-up to attempt to stop the maniac, but could they be putting themselves in the firing line…?
As a critic, I have been guilty many times in the past of forgiving weak parts of slasher movies due to the fact that they were produced on stringent financing. If anything, President’s Day acts as proof that I can no longer use that explanation for poor filmmaking decisions, because the rumoured budget for this picture was a measly $5,000. With this relatively modest pocket book, LaMartina has created a stand-out slasher flick that does things the right way. On top of that, it is crisply shot, looks fantastic and includes gore effects as good as those seen in entries that were put together on four or five times the cost.
I often criticise horror comedies here on the site and you only need to read my reviews of either Easter Bunny Bloodbath or Slaughter Studios to see my opinion on slapstick scenarios combined with murderous mayhem. It takes a special filmmaker to give us a feature that can successfully merge the two styles in a paletable Cherry Falls-type way and I have to give credit to LaMartina for what he has achieved here. There are a host of amusing tongue-in-cheek sequences in President’s Day that could have given the picture an awkward tone that it would struggle to recover from. Instead, he admirably gets the mix of humour and horror spot on and creates an environment that allows viewers to enjoy the character development sequences without them having an effect on the darker moments.
The entire cast and crew of P-Day accepted parts in the feature with minimal payment, but they still put in visible effort to deliver solid performances. In a unique move, the story gives us an African-American anti-hero that we grow to like more and more as the runtime progresses. Our two main players differentiate from the Laurie Strode stereotype because they aren’t overtly innocent or virginal. Barry is an intelligent guy that is guilty of choosing fun over his studies and Joanne is looking for a fresh start after an unfortunate incident at her previous school. These depths to the two lead personalities make them more appealing and we do genuinely share their adventure and want them to overcome what’s thrown at them.
We are treated to a complex mystery that you’ll either guess immediately or be shocked by when the killer is unmasked. Even if the motive is fairly nonsensical, it can be easily overlooked, because we had such a good time on our way to the conclusion. Dressing the killer as Abe Lincoln not only suits the theme, but he looks exceptionally creepy and there are a whole heap of creatively gory murders for us to feast our eye upon. They include audacious stuff such as death by hair straighteners, asphyxiation with a statue (?) and a voluptuous Latina is burned to death on a cooker! One early scene gives the film an ‘anything could happen’ tone, when a disabled girl in a wheelchair gets dismembered with an axe. It was reminiscent of the notorious sequence from Friday the 13th Part II, which at that far less politically-correct time was fairly controversial. It’s easy then to see that LaMartina has got the balls to go where others don’t and go there he does, continuously until the final credits roll. Despite the fact that the killings are fairly gratuitous, the atmosphere isn’t mean-spirited and maintains the subtle tongue-in-cheek tone even when the crimson is spread.
President’s Day is a solid entry that deserves a place amongst the slasher elite. There are many new-age stalk and slashers that get lost in their attempts to either try something different or pay endless tributes to the hits of the eighties. Chris LaMartina proves here that all you need to do is include enough of the recognised ingredients and have a bit of a ball with them. It really is that simple. It surprises me still to this day how many filmmakers fail to get it right.