Bone Cave 2011 Review
Bone Cave 2011
Directed by: Matthew Brooks
Starring: Justin Rose, Jeremy Jusek, Andrew Hart
Review by Luis Joaquín González
So here we have yet another extremely rare slasher movie, but it’s one that is refreshingly unique. Even as a fan of the genre, I often get tired of the amount of films that traipse along the standard clichés without even attempting to inject any authenticity. Bone Cave on the other hand is unlike anything that I’ve seen before and despite its limitations, it offers an encouraging slant on the stalk and slash formula.
A pair of college kids hatch a life-changing plan to get rich by robbing a local ecstasy dealer and hosting a rave so that they can sell the tabs that they stole. As the party gets underway, it soon becomes apparent that a caped killer is lurking among the revelers and looking to slaughter the drug-induced teens…
For the first twenty-minutes or so, Bone Cave played like it was little more than a slasher by the numbers. It kicked off with a pair of poorly acted lovers being murdered in a cave by a caped menace with a painted face. There was nothing about the sequence that couldn’t have been copy and pasted from a million other genre entries and when the next cut showed us a couple of kids sitting outside a high-school, I felt like I was watching a lower budget knock-off of President’s Day. However as those same characters began speaking about their ambitious plan to rob a local drug pusher and host an illegal party, I began to realise that Ohio based director Matthew Brooks was on a thoroughly different wave-length.
Whilst there’s no denying that Bone Cave is a slasher movie, it’s one that plays like it’s only half-aware of the trappings, which I mean as a compliment. We get forty-five minutes of plot development from the three main players and perhaps because the dialogue has been written by a youngster (Brooks was in his twenties) it comes across as genuine as to how youngsters speak. It could be said that the pace during these parts isn’t as tight as it should be and a couple of killings might have made the runtime sharper, but Brooks’ flair for witty lines and realistic scenarios kept things afloat. If you’ve been a long-term reader of a SLASH above, you’ll know my thoughts on the challenges of mixing slapstick and terror into a palatable cocktail. There are many entries that have tried this formula (Easter Sunday/Slaughter Studios) and the majority of them are disjointed and shabby. It would be unfair to call Bone Cave a slasher/comedy, but the script delivers a nice blend of humor (from the dialogue) and horror (from the multiple victims). I expected the theft of the ecstasy tablets to be a small background sub-plot, but it is smartly expanded to generate a solid spine. It’s fair to say that there are no real surprises in later revelations and the killer’s identity is easy to guess, but most of the ideas here are novel and smartly delivered.
The second half of the film takes place inside the cave of the title, which was the location chosen to host the rave. The exteriors were filmed locally and are impressively conveyed considering the lack of experience and I can only guess that a hall was used for the other parts, but credut to the set designer(s) that worked hard to make it look as realistic as possible. Early on, I was a little worried that the lighting would be a problem, because we have about ten-minutes of footage that is illuminated by a couple of torches, but this soon improves and the crew did a good job technically. I also thought it was original the way that the killings were staged. Initially we get a torture porn-esque kidnap of a young girl that gets acid thrown in her face, but then the maniac goes on a rampage and runs into the middle of the party-goers with his custom blade and begins slashing… Cue pandemonium! We do get some blood splashing and a couple of gooey moments, but Bone Cave is fairly light on the gore score. It draws to a conclusion with the three main characters trapped with the maniac and they must overpower him in order to flee the carnage. If I were to be really harsh, I could say that the film might’ve worked better with a meaner spirit and I also didn’t think that the killer’s dialogue (he’s a real chatterbox) was effective. Still, earlier on I mentioned President’s Day and whilst the pair have very little in common, they share an alluring vibe that’s impossible to brush off.
All in all I enjoyed Bone Cave. It’s certainly full of innovation and a handful of smart accomplishments. The pace does stagnate a bit during the first half and some of the effects are visibly cheap (the grenade explosions are PSone-esque!!), but I guess that they made the most of an extremely tight budget. Matthew Brooks is certainly a talented filmmaker and his inclusion to the genre is worth a look.