Directed by: Chris LaMartina
Starring: Sean Quinn, Jenny Saurallo, Andrew Hughes
Review by Luis Joaquín González
How ya didling a SLASH abovers? Here we have another obscurity that I’ve spent years tracking down to examine for y’all – I’m just too damn nice! Amerikill was the first horror flick from esteemed director Chris LaMartina and it really is a ‘junior project’ in every sense of the word. Whilst it has become a cliche of the genre that most slasher films have actors in their mid-thirties unconvincingly playing teens, Amerikill turns that totally on its head. You see, this was Mr LaMartina’s High School project and he shot it with his friends at the age of 14!
I learned of its existence when I purchased Death O’Lantern from Warlock Home Video. They had a large catalogue of titles and what stood out to me about this one was the killer’s awesome Jester guise. I immediately tried to buy a copy, but was told that there were none left and there likely wouldn’t be any more available. Dejected, I set up an eBay search and tried all the usual methods of allocating a copy, to no avail. My recent review of President’s Day put me in touch directly with filmmaker Chris LaMartina and after a few begging emails, I managed to finally get him to send me a pristine DVD…
A small town High School is thrown into chaos when ‘Jester Face’ – a vicious masked serial killer – begins butchering local kids. A group of friends set out to solve the mystery by watching ‘cheesy slasher films’ to uncover the killer’s logic.
Before we kick off the review, I think it’s important that I mention something that will better allow you to understand this film. In terms of maturity, I was something of a late bloomer. I’ve just turned thirty-five and when I look back on the silly things that I did in my past, I wish that I had the ‘intelligence’ or ‘cultural understanding’ that I posses today. Adult minds are filled with analysis of past experiences, consideration of consequences and a greater fear of risk, whereas youngsters only think, ‘That looks cool, let’s do it!’. At the age of fourteen, I had no idea what a protagonist was, the difference between gibberish and complex dialogue or the reasons why I enjoyed certain films more than others. My list of ‘essential good movie ingredients’ was the size of a postage stamp and I could mindlessly sit through crap like Ninja Terminator or Day of Judgement without flinching an eyelid. Now of course, the smallest mediocre element can force me to reevaluate my rankings and even a great eighties cheese-fest like Commando has lost some of its appeal.
I tell you this because it has a lot to do with how you may perceive Amerikill. Did I think it was a very good movie? No, not particularly. Would I have done so when I was an impressionable fifteen-year-old? Hell yeah!! You see, this is a ‘fan boy’ film in the truest sense and ticks all the boxes that we know and love. It is very obviously inspired by Wes Craven’s Scream but also verbally pays homage to some peak period slasher hits such as, Sleepaway Camp. What surprised me most though was that there were a few signs of credibility that transcended the dime store budget and pre-pubescent age range.
For a start, it’s amazing how there are so few visible weaknesses in the dramatics. Whilst we are not talking method actors by any means, we see very little flat or wooden line delivery, which is a real achievement considering the amateur cast members. It could be argued of course that the kids were literally ‘playing themselves’; but in comparison with most budget stalk and slashers, Amerikill has no bad performances that really stand out. We get a whodunit mystery that waddles along admirably and even if I guessed who was under the mask early on, I never felt completely sure of my decision, and there was even a twist of kind before the credits rolled. As I mentioned earlier, the maniac has a truly creepy disguise and it led me to wonder why there are so many killer clowns, but so few psycho jesters? This dude outshone Marty Rantzen from Slaughter High, simply because he looked much more ominous in black with a white face mask that was splashed with blood. We get a number of kill scenes that include some bare bones attempts at gore and they all take place to the strains of a rock soundtrack that actually includes a few decent songs.
I guess that the reason I can’t really say that Amerikill will appeal to all slasher buffs is because it is very much a teenage movie. It was almost awkward for me watching the production, because I felt like an old guy that was trying to fit in. That’s no fault of the filmmakers of course, they couldn’t change their age; but it’s important that you prepare yourself before viewing the film. We do get a semblance of a plot narrative, but there’s no central character or script cohesion, which is totally understandable considering the lack of experienced heads on set. In fact, it’s pointless really to criticise Amerikill because it’s astounding how much the director managed to get right. Even Tim Ritter was two-years older when he made Day of the Reaper and that’s nowhere near as slick as this.
When all is said and done, Amerikill is much better than it has any right to be. We can ignore the lack of Police, the flimsy structure etc, because this is a high school project and if you leave your brain at the door, you might even enjoy some parts of the film; – I know I did. There’s fun to be had with the cheesetastic gore and we see a glimpse of the light humour tone that was so successful in President’s Day. Also, have you ever wondered why might happen if a masked killer bumped into a trio of school bullies? No? Well Chris LaMartina has – and his interpretation of it is actually pretty funny… I’m glad I saw Amerikill.