Bloody Moon 1981
Directed by: Jesus Franco
Starring: Olivia Pascal, Christopher Moosbrugger, Nadja Gerganoff
Review by Luisito Joaquín González
I always believed that the Máximo Espejo character in the brilliant romantic comedy, ¡Átame! (1989) was based on Jesús Franco. That film’s director, Pedro Almodovar, also used scenes from Bloody Moon in another of his Antonio Banderas led pictures, Matador from 1986. Does this mean that Almodovar is a fan of his fellow countryman’s work? It’s hard to say, but the amount of sleaze in Franco’s 180+ filmography makes it easy to overlook the fact that he could be a capable filmmaker when he put his mind to it.
After the success of Halloween, a German production team approached Franco to help them put together an entry strong enough to grab a share of the hottest cinema craze. Bloody Moon went on thereafter to become something of a grindhouse classic in cult circles. This was mainly due to its whacky dialogue, explicit gore and extreme nudity. After being released uncut pre-cert on VHS in the United Kingdom, it went on to join the DPP list and become a video nasty, which added to its notoriety. Much like I had done with Juan Simón’s Pieces, I wanted to go back and view it with an open mind to see what I made of it.
A group of German students head to a language school in Spain to brush up on their Español and catch a bit of sun. It becomes apparent that they are sharing the location with a disfigured murderer who has just been released from the local asylum. Girls soon begin disappearing, so could it be that Miguel has not been fully cured?
Checking out Bloody Moon after all these years, I found that I appreciated it much more than I did a decade ago when I wrote the review that you can find here. This time around, I watched it in Spanish and the dialogue is not as hilarious as the, “I love your tenderness” and “let yourself melt in my arms” slop that we got in English language prints, which helps to make it a bit less comical. Juan Soler utilises a bright palate of cinematography that brings the screen alive, but he does overuse the zoom effect too much. Screenwriter Erich Tomek pinches a lot from Halloween, including the isolation of the final girl in her knowledge that there’s a psychopath on campus. In that role, Olivia Pascal screams her way through each new scenario with a subtle vulnerability and we do genuinely want her to survive.
The mystery is clumsy in the amount of early information that it gives us, but there are still a few surprises to be had as it unravels. Franco includes a couple of tense sequences, like the claustrophobic finale, which sees Pascal’s character uncover the corpses of her chums spread around her apartment. Juan Molina’s gore effects haven’t aged well, because nowadays, we can see similar levels of goo in most DTV efforts. Still, there’s something quite unsettling about watching a young kid get mowed down by an automobile (no, really) and the famous buzzsaw murder of a promiscuous chick hasn’t lost any of it’s pitch black humour. After letting herself be tied to a table, the aforementioned bimbo quips that she’s up for anything with what she believes is a hunky Latin lover. It’s funny, because she’s expecting to get drilled (if you know what I mean) and instead, she ends up getting sawed and TOTALLY screwed!
I wrote in my notes that some elements of the extraordinary soundtrack were almost Pink Floyd-like and then I read that Franco had falsely been promised some authentic music from that band by his producers before signing on. No wonder that he later stated that he had countless problems with them and that may explain some of the outright weirdness that we come across in the story. I mean, if there were two opposing visions working on the project, then who knows what came from where.
Going back after all this time, I’m still not convinced that Bloody Moon is much more than a cheese-sleaze slice of trash. It’s enjoyable trash though, which I guess is most important. It’s a film that I feel often gets overlooked, because with the hottest collection of chicas that I can remember, some fun gore and more moments of WTF than you can shake a stick at, it deserves a lot more recognition than it currently boasts.
Bloody Moon is gleefully bad enough to be enjoyed and although it hasn’t aged as well as others, it’s still well worth re-checking.
Killer Guise: √√
Final Girl: √√√√