Atração Satânica 1990
aka Satanic Attraction
Directed by: Fauzi Mansur
Starring: Emilia Mazur, Gabriela Toscano, Ênio Gonçalves
Review by Luisito Joaquín González
Completely off topic, but Brazil can boast a peerless reputation for producing some of the greatest soccer idols that mankind has ever known. Pele, Ronaldo, Bebeto, Ronaldinho, Rivaldo and the magnificent Romario are just some of the football legends that have worn the fluorescent yellow shirt of their five-time world cup winning country. Being a massive football fan and former player means that I have the greatest respect for my Latin cousins from across the pond and whenever I go out in central London, the hottest parties are those at my favourite Brazilian club on the Charing Cross road.
With their notorious flamboyant lust for life and excellent titles such as City of God already very popular amongst critics, I wasn’t really sure what to expect from this late addition to the slasher cycle. Shock Diversao Diabolica was an interesting entry from 1982, but nowhere near good enough to rival the key players from the US during the boom years. But Spain, France and Italy – three other great football nations – can boast slasher output that is nearly as good as their World Cup winning squads, which made the initial signs look promising for Satanic Attraction.
It kicks off in traditional satanic fashion in the midst of a crowded ritual. A masked figure makes his way through a pack of dancers and heads down some underground stairs to host a bizarre black mass in front of a crowd of hooded revellers. The strange cult leader picks up a huge dagger and heads over to a pair of blonde beaming twin children. The mysterious stranger then slices the wrists of the youngsters and pushes their arms together, presumably to link the pair with a bond of blood. The crowd look on in anticipation as the twins grin sadistically.
Sometime later we meet Fernanda, a radio announcer who hosts a controversial show on which she tells creepy stories to a captivated nationwide audience. Some listeners believe that her ramblings are dangerous and could result in violent consequences, while others are just happy to see so many people turning to radio for their source of entertainment. Her latest tale concerns a dark figure roaming the town and murdering young women with various gruesome weapons. The killer then uses the victim’s blood to reanimate his deceased sister in her beachside grave. After dismembered bodies begin turning up around the local town, Fernanda realises that her stories are somehow connected to identical murderous events that are taking place at exactly the same time as she speaks on air. What connection does she share with the ritualistic psycho and what links the killings to the hapless DJ?
Satanic Attraction looks to have been produced on a fairly decent budget and it’s immediately apparent that director Fauzi Mansur didn’t scrape the barrel for the effects that he decided would make his movie a hit. A few of the murders are extremely gory: meat cleaver through the head, dismemberment, gooey throat lashing’s and a spear pushed through a love making couple a la Friday the 13th II. The killer is seen mainly from behind and dresses in traditional Giallo-like black psycho-garb. Although part of the plot concerns searching for the maniac’s identity, the whodunit aspect is mostly left simmering on the backburner. Even though things stick closely to the typical Giallo/slasher rulebook, Mansur manages to mix in a share of supernatural elements that are both interesting and utterly confusing in equal measures.
As this is a Brazilian production, the original vocal soundtrack is in Portuguese and the producers didn’t opt for subtitles to export the feature to English speaking nations. Instead the movie has been dubbed by a gang of wooden planks, sorry, students from America and the United Kingdom. Obviously it’s impossible to tell what these guys were studying, but one thing’s for certain; they definitely weren’t considering a career in drama. This has to rank along with Samurai Reincarnation as the worst dubbing in cinema history. But that’s not Satanic Attraction’s only problem. The movie is nearly two hours long and a huge majority of this time is spent listening to the aforementioned ‘actors’ warble their way through a poorly translated script, with characters popping up all over the place without any rhyme or reason. The net result is an overlong dreary feature that takes an hour and a half to finally shift into gear as the killer goes on an excellent maniacal spree. When we reach the film’s conclusion, it just gets silly as one twist that was easy to predict gives way to yet another.
Unfortunately, Satanic Attraction is a major let down in every respect. It’s hardly worth tracking down for the excessive gore and all that’s left is a long corridor of confusion and horrendous acting. Put it this way, I think even Jag Mundhra’s Open House, which also incorporates a DJ could be better – seriously!
I’ll stick to watching Brazilian football for now…
Final Girl √√
Ritual of Death 1990
Directed by: Fauzi Mansur
Starring: Vanessa Alves, Olair Cohen, Paulo Domingues
Review by Luisito Joaquín González
When the clock struck midnight on December the 31st 1989, we weren’t just signalling the final curtain for recent history’s most outrageous decade, we were also bidding farewell to a lifestyle that would never return. As time rolled on from that date, music would change so that someone could have a hit record without even being able to play an instrument or read a note. The introduction of ambulance chasing lawyers would offer a way that everyone could sue one another and we would all go on to become a generation of Facebook geeks.
Perhaps more important (well to people like you and I dear reader) than the steady decline of our social morals and networking skills is the fact that the superpowers of cinema had totally given up on the slasher genre. Aside from Mirage and Popcorn, I can’t really think of any other decent catalogue entries until Scream reinvigorated things some six years later.
When it came to hunting out production teams with their hearts still in it, the peeps leading the way were those from Central America. That’s right, after the close of the decade, Mexico was the new source for slash-tastic shenanigans from filmmakers with ambition and passion for the genre and they were still competently financed comparatively speaking. The movies from Rubén and Pedro Galindo and Carlos Ortigoza shamed their counterparts from the USA from this point.
But Mexico wasn’t the only Latin American country who wanted to pick up the pace now that the US had abandoned it. Brazilian porn director Fauzi Mansur made two slasher movies in the same year and both were flamboyant and audacious stabs at bringing some life back to the cycle. Ritual of Death is a tad more obscure than Satanic Attraction, but very similar in both its tone and delivery.
An ancient book that has mystic powers falls in to the hands of an actor from a play that’s looking for financing. Before long he becomes possessed by an evil demon, puts on a mask and begins to stalk and slaughter his colleagues one by one.
Ritual of Death is a tough one to judge. I had an idea of a rating in my mind and then I began thinking about it later and felt like watching it again, which is always a good sign. It plays exactly how you would expect a notorious pornographer to roll out a slasher; all excessive nudity and blood and guts. Oh and let’s not forget the sex in a bathtub scene, which involves sex, a bathtub and a recently severed goat’s head. If you think that’s strange, then ladies and gentlemen, welcome to the world of Senhor Mansur. A world where plot takes the back seat and dependence on bloody effects reigns supreme.
There’s a whole host of talking parts that still never become vaguely coherent after three viewings, but from what I can gather the ‘ancient book’ is a Native American translation of an Egyptian scripture of rituals that offer a blood host to the god of death and there’s a medium/priest (well I thought that’s what he was) who looks like a cross between Ernest Borgnine and Donald Pleasance in a bowler hat. Does all of that make any sense? Well who cares when you have strawberry ice cream coloured blood by the bucket load, a seriously hot Brazilian female lead and don’t forget the gooey goat’s head that makes more than one appearance.
As I alluded to earlier, Mansur loves to cover the stage with limbs and corn syrup and the words ‘off screen’ are alien to him. There’s one outrageous death scene where a guy is squished by a fog machine on wheels and the maniac then goes on to use the propeller on said appliance to obliterate another wrongly placed unfortunate. You can see it above! All of the kills are strong enough to have got the movie banned in most countries and if exploitation is what you’re looking for, then Mansur is your man of the match.
There’s no real attempts at suspense or mystery and the characters are little more than body count material, but let’s be honest, you’re not going to invest time, money and effort in to tracking this down if you are looking for a decent drama. The director is not a master of building tension and most of his shots are wide framed and simple, but its his effort to be the most audacious with his horror imagery that salvages his lack of more technical talent and he turns each moment of horror in to a carnival. When he is not dismembering his cast with creative methods, then he is allowing his bogeyman to pull off his own face or filling the picture with native rituals or shots of his possessed menace oozing vile green puss from his mouth. Sleaze and slasher aficionados will most definitely get what they’re looking for and it delivers enough for three movies.
As was the problem with Satanic Attraction, this has been very poorly dubbed for English speaking markets. It seems that they weren’t watching the film whilst they were reading their lines and they didn’t seem to be working with any kind of dramatic director. It’s a shame, because Ritual is better than that and deserved a more favourable global release. The poor acting ruins things quite a bit and I would have rather read subtitles and seen the performances in their own native tongue than had to listen to a cast that were unmotivated, poorly organised and not in tune with the camp spirit. This was perhaps the biggest negative about the feature.
Still, I was going to give this a one star rating, but after a while, I began thinking that it deserves two. Hell, I’ll give it two and a half. It’s not the most clearly structured movie on the planet, but if you are going to watch an exploitation piece by a notorious porn merchant and expect it to be Citizen Kane, then it’s you who needs to re-evaluate your expectations, not our good friend Fauzi…
Final Girl √√