Directed by: Todd Jason Cook
Starring: Rebecca Torrellas, Mike Gebbie, Lisa Whiteman
Review by Luis Joaquín González
Running a site that is purely dedicated to reviewing only the truest of stalk and slash entries is great, but I must admit that sometimes there are films that I’d like to cover, but can’t because they don’t fit the template. I believe I’ve stayed faithful to only posting genuine entries, but the one that I’m most unsure of is The Dead Pit. My rationale for including it was because, sure, it’s a zombie movie, but there is really so much in the first half that reminded me of our favourite film style. The hulking masked doctor, the terrorised final girl, stalking sequences and heavy breath POV shots; it’s hard not to look at those ingredients and think: stalk and slash.
Actually, it’s interesting that there have been so few true crossbreeds, but that’s where Zombiefied stands apart. Director Todd Jason Cook has said that he set out to make this picture the truest amalgamation ever released and so I was keen to see what he could achieve. Would this be a post that I would be confident could sit comfortably with the rest and tick the right boxes?
Well, it all kicks off in a bedroom with a naked chick and a guy sharing lines of coke. As if on cue, the girl says with a knowing nod, “I’m off to take the obligatory shower”. Whilst she’s scrubbing away (in gratuitous close-up), her partner hears a noise in the kitchen and goes to investigate. He comes across a creepy mannequin that’s holding an MP3 player, but before he has a chance to raise the alarm, he is stabbed from behind by an unseen killer. Next up, the maniac goes to take care of his bathing girlfriend, but just as we are waiting for the anticipated slashing, out jumps the ‘zombiefied’ corpse of her recently deceased partner and it begins chewing on her neck! So, a zombie, a hulking killer, blood, a jump scare, a fantastic pair of (natural) boobies and cocaine. It’s fair to say that there have been worse opening scenes.
Next up we head over to a heavy metal club called, Röcbar, where a concert is in full flow. As the group perform, the nut job from earlier (who’s now sporting a Nixon mask that’s identical to the one from Horror House on Highway 5) subtlety murder’s the DJ and inserts a CD into the music system. The new sound seems to have a strange effect on the crowd and they begin morphing into zombies and attacking those that haven’t yet turned – cue pandemonium. After a violent struggle, one band and their singer manage to escape the carnage and flee into the streets that are now filled with roaming re-animated corpses. We soon learn that a similar occurrence has happened once before, but not on such a grand scale. With the Police unwilling to assist, it’s left up to the gang of rockers to prevent the plague from spreading and find a cure. They’ll have to do so whilst avoiding the flesh hungry zombies and a malevolent masked killer…
It gives me great pleasure to tell you that Zombiefied is a truly entertaining horror flick that may be rough around the edges, but delivers a rugged ride that’s unlike anything I’ve previously seen. It’s full to the brim with bloody action and it rarely allows you to catch a breath as the corpses drop. The plot unravels amongst hordes of murderous zombies that chow their way through an impressive number of victims. The director flings everything into the cooking pot to conjure up a gore-laden stew. Your taste buds may not be totally tickled by every mouthful, but it’ll leave your belly too fulfilled to complain about the service.
Director Todd Cook has had a film reviewed here on a SLASH above previously of course, but Evil Night was a totally different beast that simply had no structure. People would walk on screen with no introduction, get killed and the same thing would happen once over. He does revert to a similar technique at times here, because there are a lot of nameless and eminently pointless victims that are lined up like pins only to be bowled over with minimal fuss. Zombiefied overcomes that though, because everything’s held together by a central concept that’s progressively intriguing and addictive. We follow a group of likeable characters that are desperately trying to find a cure for the epidemic and even if the way that the story choses to write out the authorities is laughable, there are various tweaks that maintain our engagement.
Not everyone agrees with my stringent view on what makes up a true ‘slasher’ movie, but seeing as I am strict with my idea of the guidelines, I wondered what I’d make of a zombie/slasher cocktail. In fairness to Cook, he shows respect to both genres and their principles. The living dead are the modern kind that sprint after their prey, but the slasher scenes are traditional, with a hulking masked killer that has a calling card (aforementioned mannequin) and a traditional slo-mo stalk. The army of gut-munchers are under the control of the boogeyman and sometimes he uses them to devour his prey instead of a blade or axe. Even if this concept sounds like it may be tough to digest, I have to give credit to Cook for making the blend so palatable. He pulls of a number of moods and even chucks in suspense on occasion, which magnifies during the slasher scenes. We also get fair amount of gore, a couple of hot-ish chicas, a riveting mystery, an open-ending and the chance of a sequel, which I’d personally like to see. Perhaps the best thing of all is that an hour and forty-five minutes is a long time for a horror movie, but it really flew by. I was watching without alcohol too!
From a technical perspective, Zombiefied is not a perfect movie experience. The thrash metal soundtrack is not for all tastes, it’s a bit casually scripted and it suffers the flaw that ‘plagues’ all zombie movies, which is, how much can really be done with the same MO? I honestly believe though that there’s so much here that works that you can accept those minor gripes because it’s a real extravaganza of horror excess. I liked it so much that I was disappointed to see that Cook doesn’t have any other projects currently in the pipeline. I would never have said that when all I knew of his work was Evil Night and Night of the Clown. I can accept titles like that if they lead on to a wider plan and Zombiefied may well be his masterpiece.
Finally we have a zombie/slasher that truly can fit in with its brothers here.