Directed by: David Noble
Starring: Courtney Shay Young, LaTasha Williams, Elgin Foster
Review by Luis Joaquín González
I remember reading a report a few years back about a slasher movie that was being produced in Louisiana and how local residents were excited about its release. It had been named after a regional dance/music trend, but the one photo that was attached to the article showed a hulking killer pursuing a petrified blonde girl through some forest. I filed the news-clipping under ‘items of interest’ in a SLASH above‘s sprawling HQ (my room) and heard nothing else on the subject. Then, about a year ago, I dug-out that preview and set myself a mission of discovering the status of that peculiar picture. Zydeco is an impossibly obscure title and another a SLASH above exclusive. It’s a slice of small-town filmmaking that takes pride in its heritage and so I was keen to see how it’d play.
Two chicas from Chicago head down to explore the sights of Louisiana. Once there, they inadvertently upset the local townsfolk and become the targets of a giant merciless killer.
You know, I was so close to posting this on my Slasher Shorts page, because at 45 minutes, it barely qualifies as ‘feature length’. The reason I changed my mind is because much like Death O’Lantern and Friday the 13th: Halloween Night, it’s quite a rarity and deserves at least one ‘full’ review on the web. Perhaps the reason it’s become so obscure is because it’s such a strange runtime to sit through. We open with a text description of the notorious ‘Bloody Benders’ from Kansas, which I thought was a credible launchpad. Next comes a slickly produced credit sequence that shows a young girl fleeing through a forest from an unknown pursuer. I sat up in my seat and thought, ‘Damn, this looks good’, and it really did… at least up until I heard the twang of a country guitar…
I’m reminded of when the geeky cashier in Burger King only gives you one Ketchup to go with your XXL Bacon Quarter Pounder with Cheese Meal. You’re left desperately trying to squeeze the last remaining drips from the sachet so as not be eating dry salty chips whilst wondering, “Do they pay for these sauces from their salaries or something?!?”. Zydeco looked to have run out of salsa in those first ten-seconds of pre-credit sequence and it rapidly took a downward spiral into Poopsville. We follow the two poorly acted girls as they visit sights around Louisiana and even if we could perhaps accept the uninspiring dialogue, the lack of any actual horror was proving less forgivable. I was left struggling to ascertain what tone Noble was aiming for. There’s the historical intrigue with the Bloody Bender intro, the effective chills from that initial chase scene, but then we slump into comedic dialogue and a collage of the girls on a shopping trip. I mean, what were they trying to make the audience feel…?
I stopped watching Zydeco on the twenty-five minute mark because my train had pulled into my station and the next day, I wasn’t overly keen to pick up from where I’d left off. Thankfully, director David Noble seemed to realise that the ante should be upped and when I eventually got round to finishing the feature, the introduction of the Jason Voorhees-alike killer did seem to offer slight redemption. Our antagonist is a big hefty menace and he takes out a handful of victims, which results in at least one tacky but fun gore scene. (It includes slasher regular and all round cool guy Jade La Font getting gutted!!)) I didn’t notice a huge amount of panache in the way that Noble decided to shoot the movie, but one lengthy tracking shot, which looked to have been filmed with the cameraman on a quad bike or something, was really rather audacious. It was in fact so impressive that the editor included it three times, but I’m not convinced that the only reason for its repetition was because they were proud of how it looked.
You see, Zydeco has a unique structure for a slasher that starts out fairly well, but kind of gets progressively stranger as the film rolls along. We have our main story, which is the fate of the two city girls and their eminent misfortune in and around Louisiana. Then there’s also a plot-branch involving a brother that has hired a Private Detective a while later (exactly how much later is left un-clarified) to hunt out his missing sibling. These two timelines coincide quite well until the final scene, which I won’t spoil, but it left me with the impression that they ran out of budget before finishing the original script. I could even speculate that the whole Private Detective part was bolted on to pad out the runtime and explain away the bizarre ending. If I went into detail about why I think this, it would ruin a twist that in fairness, I wasn’t expecting. If you manage to locate a copy of Zydeco though, you’ll automatically see what I mean. It feels like there’s a part of the movie that they didn’t have the funds to film and so they had to include a wrap-up scene to get it to a format that was at least releasable. I guess that this could explain why Zydeco has become hard to find and why they re-used that impressive footage. The idea was obviously to get as much out of what they had as humanly possible.
Then again, with no concrete information, all that we have is my ramblings on a SLASH above and what do I know? Maybe this is how it was all meant to be. Maybe people like collages of badly acted girls doing shopping in slasher movies. Well if that be the case, give Zydeco five-stars and hunt it out. Me, I’ll leave it with just the one (and a bit)